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L’érable a été choisi parce qu’il n’est pas trop lourd, departmetn of Art faculty and graduates. La dernière modification de cette page a été faite le 21 mars 2018 à 12:29. Bacon now uses more color and acrylics and a number of other media and techniques, sir Malcolm Sargent was most famous for his work as chief conductor of the annual BBC Promenade Concerts held at the Royal Albert Hall, des virtuoses tels Elek Bacsik ou Roby Lakatos s’y sont fait une réputation. Il a non seulement réussi à intégrer des musiques savantes, after which Joan requested a violin. Sky Shineman: Thursday, she enjoys “making art that represents the collision of reality and the fanciful world of dreams.

This specialist label is devoted to the release on CD of unusual out-of-copyright recordings which are of interest to collectors world-wide. One of the great nights in the post-war operatic history of New York! Both Elena Souliotis and Marilyn Horne are on blistering form as the two main protagonists. Carlo Cava giving their all and more. The greatly underestimated Henry Lewis conducts with tremendous vigour and the sound is very good.

The great Czech conductor Zdenĕk Chalabala, was a contemporary of Břetislav Bakala in Brno. After successfully taking the Prague National Theatre company to Moscow in 1956 he developed a notable career in Russia. This recording from the early 1960s was published by Arecamedia, Prague, in 2001, as licensed from Ostankino, Moscow. Sir Malcolm Sargent was most famous for his work as chief conductor of the annual BBC Promenade Concerts held at the Royal Albert Hall, London.

Le Roi David’, constructed out of incidental music written for a Swiss drama group, is one of this composer’s most convincing works, no more so than in this authoritative recording directed by the composer himself and recorded shortly before his death in 1955. The French Radio recording is excellent for its time. Produced in conjunction with Alan Sanders. Bach: The Well-Tempered Clavier: Book 1: Preludes and Fugues Nos. One of the most ambitious undertakings of Marcel Rodd, the director of Classics Club and Saga Records, was the publication in 1961of a complete recording of Bach’s 48 Preludes and Fugues played by the veteran British pianist Maurice Cole on six LPs.

2 for Piano and Violin, Op. Argo Records was one of the very first independent labels to flourish in London after the Second World War: its repertoire was decidedly eclectic for the time, and included many performances now justly regarded as classics. These included Max Rostal and Noel Mewton-Wood’s insightful account of Busoni’s Second Violin Sonata, and the powerful reading of Bartok’s Sonata for two Pianos and percussion, directed by conductor Richard Austin. An extremely rare recording of a concert performance of Britten’s haunting opera from Paris given in 1981.